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PASSIONS OF A PLAIN WOMAN
Cheryl E. Garner
(South Carolina Writers’ Workshop)
At three, he was my boy by the runoff creek.
Knee to cheek, toe-digging mud deep,
dipping fish bowls full, bare feet in shreds
aside the plow-sharp turn of good dirt,
the near, round trees.
Mid-youth, stories, fake new men,
blue, dark, blonde, flimsy cons, dealers,
painters, sorry dreams of slow
dancing, thin air. None, close,
knew, right, me.
Men, then of real build, chin, cheated,
smacked, dragged, bruised, blacked
my eye, sat while I called cops, ran. I
pulled my cool stuff to curb, broke
pots, my savings, my tries, to chips.
Now I summon gestures, silky dark candlelit
conjunction. It’s like they dream me, slight,
or fine, tall, full, flash red, slash sweet
and move through me, through me,
fine kiss, through me.
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TECUMSEH (aka “Shooting Star” or “Panther That Crouches In Wait”)
Colin Ward
(Lit with Kick)
You, Canadian? The greatest
American? You fought to be neither,
but nor were you panther
that crouches in wait. You were egret,
your feet in the mud as you stood
above weeds. Both
your fathers would leave you
to war. Meeting you,
Isaac Brock would say: “Here is a man!”
Sure as apple trees bud, the pleas
of a peacemaker can’t be imparted
while even your traplines have
got to be guarded. Time
was gravity
as shooting stars descended. Time
was charity
and at the Thames
it ended.
The cities were the bellows of the wind
that blew at Prophetstown,
across the rivers,
over you. Gray wolves surround
the egret. Foxes slink
away, their coats the colour of your blood.
You’d say: “Sing your death song and then die
like a hero returning home.” Yours was the song
of that egret, your life
like a burning poem.
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