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On the Night of Tender Validation: 9.11.02
by Danika Dinsmore

On the news at 2 am politicians speak
of nuclear mass destruction   while bohemians
set the stage for a festival
taking a stand against the separation
between Life and Art

She shakes hands with suddenly new friends
all at once alive      late night fuel
for active young minds

History    her dance partner claims
is a drunk repeating his rant over and over again

On this day of pregnant pause she decides
to be normal
            to visit the dentist           to shop for food
                         she wants no one to be hungry

At the supermarket
after the medication has worn off
and the strength of her jaw returned
she faces the store clerk’s register which reads:
                       TENDER VALIDATION
           she repeats this   three times
      and tells the clerk
         It’s what everybody needs

When the infamous Sky appears in his trusty truck
to balance the sound before the show
she sits outside with a Moroccan
getting a French lesson
           I play drums        he says
                       and Sky, too           not art
            no, not art   it’s what we do

So when the news radio interferes with a threat
           the Brink of War
                        a schoolyard simulation
           prayer request
and in the backdrop
Bob Marley parts her lips with Stir it Up
everyone sits on the floor
           sharing burritos
           from tender validated midnight clerks
and just wants to sleep
and just wants to dream   of a world
where there is no definition
for art                 it’s simply
what we turn into

©2002, Danika Dinsmore


Danika is a performance poet, co-founder/former director of Northwest SPokenword LAB (SPLAB) in Auburn, Washington, facilitator of a collaborative experimental writing project, 3:15 Experiment. She also served a stint as executive director of Eleventh Hour Productions / Seattle Poetry Festival and was our Pacific Northwest Museletter correspondent in 2001 and 2002.

Next page > “The Language of War” by Michael Hillmer...
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