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Luminous Animal
A Review of the CD from Anne MacNaughton, Peter Rabbit & Mexican Bob
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Ur-communards, unreconstructed hippies, hipness personified, Anne MacNaughton and Peter Rabbit and Mexican Bob are best known as the purveyors of the annual Taos Poetry Circus, which is a circus, and a poem, too, and culminates with the gots-to-see-to-believe World Heavyweight Championship Poetry Bout, the most actualized piece of surrealist theater since Tzara called the cops on Breton. Now Annie and Peter (who have been married and divorced so many times they literally can’t remember which part of the cycle they are currently riding in) have, with their trine, Mexican Bob, created a Last Living Beat Jazz Poetry CD that is retro-future, porno, improv-laden, mean, charged, political. It is the opposite of nice, and the only way you can get it is to write to them: Luminous Animal, 5215 NDCBU, Taos, NM 87571.

Their band, a deft bebop quartet that unleashes some deadly vibes (that is the instrument) and swinging sax over a potent rhythm section, backs this three-some way past Past. “So old it’s new, so new you can’t believe you’re hearing it, the theme of tonight’s reading, Kiddies, is S-E-X.” Luminous Animal test drives all borders, overstepping them -- sexy, open, gross, anarchic, politically incorrect, off key, crass, at one with a God whose name is Random:

“Hey Random, throw a coupla grand this way
lift off the cover of surface complexity.”

Mexican Bob, who often sounds strikingly like Kerouac himself, and Annie M, feminine, marvelous, and tough, open with some kind of New Math:

“Today infinity is going backwards
X and Y, not ex- and why not”

The entrance of Rabbit, held back through the Math opening, his raspy snarl, what a voice:

Oral sex is the answer to every question.
Desire has gone from my d*** to my tongue

Annie’s “Meditation on Balls” and “Breasts” are at once free love and deep philosophy. It gets to the point on the CD where even putting the gas nozzle into the gas tank becomes sexual. Annie’s heroine replies to the man who tells her she should wear a bra,

I use these -- filling the mouths of men
so I can get off and every so often feeding
sweet caramel into babies’ mouth

Rabbit on performance art:

Is it art or is it nailing your d*** to a board?

Mex Bob and sax do a swinging duet, where “ass” somehow becomes a metaphysician’s remedy, a swinging everything. This section points to what an excellent live recording this is -- sometimes levels are a little off, but in general it’s astonishing, production too a warts’n’all aesthetic, the room itself a constant now. The first piece, an extended jam containing at least a dozen poems and as many changes from the band, is over half an hour. Some ID markers would help to figure out what’s going on.

Towards the end, Rabbit dons the mien of preacher to sermonize on the joys of fellatio. He even dives into the briar patch at one point. Mex Bob surreals, “poetry as extraordinary as tortillas in the kitchen.” Annie starts in to scat and the band cooks away.

“What you smuggling? Sperm.
InterAmerican-mestizo sperm.”
“What does it mean to be wrong?
It means you’re getting closer to the truth
Where did you find the land?
I created it myself
Fall in love with the color brown
The wilderness listens to itself”

Luminous Animal is a breed apart, an endangered species captured live and wiggly on this CD. They are definitely not for everyone. But then, they don’t try to be. That’s the only way to Go Universal. Go, Animal, Go!

Bob Holman



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