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You say you are what you eat; you are wrong. You are how you eat. Sometimes a poem says it all, nutritiously, like this tasty snack from Lawson Fusao Inada...
EATIN WITH STICKS
When you think about it,
eatin with sticks
is the natural thing to do;
that is, without getting all
sociological about it,
it makes logical sense
to handle your food
with these smooth extensions
of your fleshy fingers --
that way, the hot
is truly cool,
bit by hit making its way
south to your mouth
as you choose
what you chews,
chowing down on, say,
succulent shoots of bamboo
with sticks of bamboo
as you come full circle
in the ecological
sense of things,
which makes good sense
and shouldnt
bamboozle any bambino
with a lick of sense,
a lick of taste,
and elders demonstrating
the social, logical value
of a world not to waste,
slash, stab at random,
not to just scoop around
like so many grains
of surplus and plenty.
Moreover, sticks
are never alone --
as in sticks together,
they are paired
like the very stereo
parts of the body --
arms, hands, legs, feet,
ears, eyes, molars,
nostrils of the nose,
with all of those
working together ricely,
in sync, as we eat. . .
But wait -- whats missing?
Right -- a whole person
does not a society make. . .
Thus, as any unshaven sage
in a mountain hermitage
will instruct you,
You need a bowl, baby!
Which is to say,
You cant go it alone!
And even a hermit
wouldnt be here
if it werent for
sticks and bowls,
the whole enchilada
of Yin and Yang,
of boys and girls,
of what makes the world
worth sitting down with,
wherever you are,
blessing the bowl
of food, community,
collective memory,
creative heritage,
the grains, the noodles
that wouldnt have it
any other way:
Eat us with STICKS!
Lawson Fusao Inada,
from his book Drawing the Line,
©1997, Coffee House Press

Lawson Fusao Inada was born a third-generation Japanese American. In May 1942 his family joined over 1000,000 other Japanese-Americans in camps where they were confined for the duration of World War II. He was first incarcerated at the Fresno County Fairgrounds, then moved to a concentration camp in Arkansas, and finally was interned at a camp in Colorado at the end of the war. His poetry collections are Drawing the Line (1997) & Legends from Camp (1993), both from Coffee House Press. He is the editor of Only What We Could Carry (Heyday Books, 2000), an anthology on the Japanese American internment experience. His newest project is a poetry video called What It Means To Be Free, available from TTTD Productions (541.482.0543).
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