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The word “cento” means “patchwork” in Latin, and refers to a poem pieced together from lines taken from other poems — in other words, a collage poem. From the very beginning, poets have quoted other poets, stolen phrases and lines and reworked them into their own poems. A cento makes this process formally explicit, line by line

It is perhaps worth remembering T.S. Eliot’s famous statement about literary “theft” in this context:

“Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.”

Some poets make small changes in the lines they appropriate for a cento; others adopt the lines without amendment. Usually a cento will use no more than one line from each source poem; the sources may be poems of a single poet, or many poets, or even many different languages. In any case, the art of creating a cento is in the combination of a sequence of lines rather than in the construction of the lines themselves.


A single cento (actually half-cento) is in our library here at About Poetry: See our cento links to read more examples of cento poems online.
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