Poetry Guide Bob Holman came back from Canadas Spoken Word Summit 2005 with a whole new required reading/listening list. Take your pick from his top picks!
(Coffee House Press, 2001) This book is a MUST, O Poets Searching in the Wilderness for a Curriculum: heres where the Manifesto becomes the Feminifesto, a grand collection of talks, essays, interviews that calls to mind Ted Berrigans
On the Level Everyday (Talisman). These are required texts for poet-mind-action, How To Do When Theres Nothing/Everything To Do.
(Houghton Mifflin Company, 2005) Quincys newest is a childrens book-length poem: Isnt he lovely, / this small blind boy, thinking of his fingertips? / Snapping those fingers before unseeing eyes. Got a CD, too.
(Frontenac House, 2005) At the Spoken Word Summit, Sheri-D Wilson did a set of political love poems that had the audience simultaneously laughing, dancing, and hitting on each other. This is her newest collection of action poems.
(Nishin Productions, 2004) This is a collaborative production, 12 poems set to music, including performances by Te Kupu, Marcos Arcentales, Raven Kanatakta Polson-Lahache, Joy Harjo, Koru, John Thorp, Rhys B & Luis Abanto. Kateri Akiwenzie-Damm takes the local to the land in her Native turns.
(Frontenac House, 2005) Bateman in performance is astonishing, a solo grand guignol opera, he changes costumes and consciousnesses mid-breath with Betty Rubble of the Flintstones, yes that one!, right there on stage to the pulsating beats.
(Womens Press, Ltd., UK, 1994) In 1985, pre-Slam, spoken word was just getting started, and Lillian was already rushing to the barricades with an all-womens, all-reggae (dub) spoken word album, her magnificent LP
Revolutionary Tea Party -- mind blowing! This is a 10-years-after selection of her poems.
(Insomniac Press, 2001) Jill Battson came to spoken word as a poet, and has become a one-woman work gang, pushing spoken word into the unsuspecting ear of the populace. She says, I dont dream, I do -- and here is a selection of what shes been doing.
(Divine Dime, 2000) Rha Goddess has seen how hip-hop can turn lives around, and how they could spin out of control over again. She interviewed over a thousand people in the last two years to create the one-woman show the she will soon be touring. If you cant get to a show, sample this five-year-old CD.